“那一天我二十一岁，在我一生的黄金时代。我有好多奢望。我想爱，想吃，还想在一瞬间变成天上半明半暗的云。后来我才知道，生活就是个缓慢受锤的过程，人一天天老下去，奢望也一天天消失，最后变得像挨了锤的牛一样。可是我过二十一岁生日时没有预见到这一点。我觉得自己会永远生猛下去，什么也锤不了我。”——王小波
2010年1月13日星期三
杂碎
天气好的时候，皇后大街朝北的一个角落每到下午就会出现一个姑娘，她坐在一个小马扎上拉着手风琴。她总是拉着同一首曲子。她身前熙熙攘攘的过客每天都变换着面孔，她拉的曲子却一直没变。她敞开的琴箱盖里稀稀拉拉地躺着几枚硬币。
英国的硬币有2镑，1镑，50便士，20便士，10便士，5便士，2便士，1便士，大小各异，颜色各异，形状不尽同。收银员说：“1 pound 78 p's please.”我在手掌上的一堆硬币里四处挑拣，身后一长条队伍耐心地看着我迷失在一堆硬币里。
那天经过公爵路，看见几个姑娘披着湿漉漉的头发，裹着浴巾站在酒店门外，瑟瑟发抖；门口几个厨师抽着烟有说有笑；穿戴绅士的老门童手插裤袋站在远端，出神地发着呆；消防车安静地停在一边，两个消防员怏怏地从酒店里走出来。
"where are you from?"一个长着一副东亚面孔的姑娘问我。
"people's republic of china."我说。
“噢，你是中国来的啊。”
“唔？你是哪里人？“我问。
“我是台湾人。”她笑着回答我。
走过museum place时，听到一阵响亮的警报声，一辆黑色越野车停在转角口，车门上一个橘黄色的报警灯一闪一闪。驾驶窗里一只小狗撑着脑袋望着我。我停下来望着它。四周无人，只有刺耳的警报声。小狗转了转脑袋，看了看方向盘，又隔着紧闭的车窗看了看我。我依依不舍地走开了。
我走进新闻学院教学楼的厕所，里面竟有一个淋浴室！
'The people who read The Times think they are ruling Britain; those who read The Guardian think they should rule Britain;those who read The Sun don't give a damn who rules Britain.'
'I was born in Serbia. I used to live there and work as a journalist there. Then war broke out. I saw too much blood and too many sad stories. I left. I went to Newzealand. I swore that I would never work as a journalist again. 11 years later, I read a locak newspaper. It depicted Milosevic as a national hero, a hero who fought against the court in the Hague. I was furious. How could Milosevic be a hero? He is responsible for all the killings that had taken place in Serbia. Then I wrote an article to the newspaper. It was published.’
'Did you receive any feedback?'
'Yes, and it was unpleasant. They sent me death letters. I couldn't have thought of it. I couldn't have thought they could reach so far as to Newzealand.'
美国决定打伊拉克、解救科威特之前——哦，我说的是上个世纪的海湾战争——一个科威特的少女声泪俱下地在“美国国会人权特派团”前控诉伊拉克士兵把科威特婴儿从育婴箱取出来丢在地上的暴行，听者也跟着少女声泪俱下，无不动容。老布什引用少女的证词，向美国人民宣称战争的正义性和人道价值。多年之后，这个少女被证明是个托，她是科威特驻美国大使的女儿，她口述的故事是一家叫hill& knowlton的公关公司的策划，因为只有打动善良的人们，国会才会通过战争决议。她叫Nayirah。这便是护士Nayirah的骗局。我总疑惑一个姑娘改用多么丰沛的泪水才能包裹住里面巨大的阴谋。我去youtube看了Nayirah哭诉的视频。我不知道这世界上还有多少泪水是可以相信的。
齐泽克为《意识形态的崇高客体》所做的中文版序：
二战中还有一次不可思议的不期而遇，它与德军的命运联系在一起。这次不期而遇发生在斯大林格勒保卫战之中，那时正值1942年12月31日，是新年除夕。俄国演员和音乐演奏家前来访问这个被重重包围的城市，给军队作慰问性演出。小提琴演奏家 Mikhail Goldstein 去战壕为士兵作独奏。一曲终了，沉寂笼罩在俄军士兵的头上。忽然，从远方喇叭里传来的声音打破了此时此地的沉寂，那声音来自敌佔区。它用结结巴巴的俄语恳求道：“再拉点巴赫的曲子吧，我们不会开枪的。” Goldstein 拿起了小提琴，开始演奏巴赫那活泼欢快的 Gavotte 舞曲。
我沿着taff河骑车，经过一片水草丰盛的河滩，上游的河水从水坝飞速流下，像是一个微型的瀑布。一个老人站在河滩边，静静地望着河面。一旁一棵光秃秃的老树提醒我，这条河已经流淌了很久了。
帮倒忙者的英文是do-gooder。Fellatio是口交的意思。
“Those from Texas and California are all assholes-- worst Americans.” said Mark. He's from Indianna.
"Who do you live with?" asked the career service staff.
"A finnish girl, an American guy and an Italian." I answered.
"Oh, it's quite international. But don't pick up the American accent." the staff winked at me.
当我走进市政厅的B号屋听BBC宣讲会的时候，里面已经挤满了人。我站到了屋子后面。后面已经站了两排人。我身边紧挨着一个姑娘，一块浅蓝色的长布包住了她的脑袋和身子。"Do you want to take that seat?"她指了指前面角落里一个空着的座位。"I‘m fine."我看见她脸上飘过一丝厌恶的神情。我敏锐地察觉到如果她手里有炸弹肯定会二话不说让我从现场消失的。"Sorry, but do you feel uncomfortable if I'm standing here?"我问道。"I feel intimidated by you. I'd rather..." "OK,I'll take that seat."
那天走在皇后街上，远处传来了歌唱声和鼓叉声。一个大个子男人在大街中央一边唱歌一边跳舞，在他身后，一个男人敲着鼓叉，另一个男人吹着喇叭。他们装束简单，脑袋上打着发髻，发髻中心垂下来的小辫随着他们扭动的身体飘荡。他们用一门我听不懂的语言吟唱着一支悠扬的歌曲。大个子身上的小马褂随风飘摆，他陶醉地晃着身子，旁若无人。这条街成了他们通往远方的舞台。我不知道他们是谁，从哪里来，到哪儿去。海鸥从他们头顶掠过。他们是如此的自由自在。
我在菜市场的入口看到一个中年人坐在铁栅栏前的石板上弹着吉他，唱着歌，身前的琴箱里躺着零星的几枚硬币。从菜市场出来时，看到一个小年轻站在那个中年人面前，拍着手，蹬着脚，大声地唱着另一个调子的歌。中年人继续拨着吉他，他的歌声被小年轻生生地摁了下去。“I'm singing right.”中年人抗议道。"You're singing fucking right NOT."小年轻大声叫道，"you should sing like this, deng-da-deng-da-da." 中年人停下手中的吉他："i'm not your fucking jukebox." 等我渐渐远离他们的时候，我回头从转角的栅栏缝里看见小年轻和中年人在握手。
每当走进超市，看到60p一个青椒，50p一个蒜头，1镑一个番茄，心里那个法可，那个谢特。
我已经连续吃了一个月的面包了，我的大便出奇的好。
英国的硬币有2镑，1镑，50便士，20便士，10便士，5便士，2便士，1便士，大小各异，颜色各异，形状不尽同。收银员说：“1 pound 78 p's please.”我在手掌上的一堆硬币里四处挑拣，身后一长条队伍耐心地看着我迷失在一堆硬币里。
那天经过公爵路，看见几个姑娘披着湿漉漉的头发，裹着浴巾站在酒店门外，瑟瑟发抖；门口几个厨师抽着烟有说有笑；穿戴绅士的老门童手插裤袋站在远端，出神地发着呆；消防车安静地停在一边，两个消防员怏怏地从酒店里走出来。
"where are you from?"一个长着一副东亚面孔的姑娘问我。
"people's republic of china."我说。
“噢，你是中国来的啊。”
“唔？你是哪里人？“我问。
“我是台湾人。”她笑着回答我。
走过museum place时，听到一阵响亮的警报声，一辆黑色越野车停在转角口，车门上一个橘黄色的报警灯一闪一闪。驾驶窗里一只小狗撑着脑袋望着我。我停下来望着它。四周无人，只有刺耳的警报声。小狗转了转脑袋，看了看方向盘，又隔着紧闭的车窗看了看我。我依依不舍地走开了。
我走进新闻学院教学楼的厕所，里面竟有一个淋浴室！
'The people who read The Times think they are ruling Britain; those who read The Guardian think they should rule Britain;those who read The Sun don't give a damn who rules Britain.'
'I was born in Serbia. I used to live there and work as a journalist there. Then war broke out. I saw too much blood and too many sad stories. I left. I went to Newzealand. I swore that I would never work as a journalist again. 11 years later, I read a locak newspaper. It depicted Milosevic as a national hero, a hero who fought against the court in the Hague. I was furious. How could Milosevic be a hero? He is responsible for all the killings that had taken place in Serbia. Then I wrote an article to the newspaper. It was published.’
'Did you receive any feedback?'
'Yes, and it was unpleasant. They sent me death letters. I couldn't have thought of it. I couldn't have thought they could reach so far as to Newzealand.'
美国决定打伊拉克、解救科威特之前——哦，我说的是上个世纪的海湾战争——一个科威特的少女声泪俱下地在“美国国会人权特派团”前控诉伊拉克士兵把科威特婴儿从育婴箱取出来丢在地上的暴行，听者也跟着少女声泪俱下，无不动容。老布什引用少女的证词，向美国人民宣称战争的正义性和人道价值。多年之后，这个少女被证明是个托，她是科威特驻美国大使的女儿，她口述的故事是一家叫hill& knowlton的公关公司的策划，因为只有打动善良的人们，国会才会通过战争决议。她叫Nayirah。这便是护士Nayirah的骗局。我总疑惑一个姑娘改用多么丰沛的泪水才能包裹住里面巨大的阴谋。我去youtube看了Nayirah哭诉的视频。我不知道这世界上还有多少泪水是可以相信的。
齐泽克为《意识形态的崇高客体》所做的中文版序：
二战中还有一次不可思议的不期而遇，它与德军的命运联系在一起。这次不期而遇发生在斯大林格勒保卫战之中，那时正值1942年12月31日，是新年除夕。俄国演员和音乐演奏家前来访问这个被重重包围的城市，给军队作慰问性演出。小提琴演奏家 Mikhail Goldstein 去战壕为士兵作独奏。一曲终了，沉寂笼罩在俄军士兵的头上。忽然，从远方喇叭里传来的声音打破了此时此地的沉寂，那声音来自敌佔区。它用结结巴巴的俄语恳求道：“再拉点巴赫的曲子吧，我们不会开枪的。” Goldstein 拿起了小提琴，开始演奏巴赫那活泼欢快的 Gavotte 舞曲。
帮倒忙者的英文是do-gooder。Fellatio是口交的意思。
“Those from Texas and California are all assholes-- worst Americans.” said Mark. He's from Indianna.
"Who do you live with?" asked the career service staff.
"A finnish girl, an American guy and an Italian." I answered.
"Oh, it's quite international. But don't pick up the American accent." the staff winked at me.
当我走进市政厅的B号屋听BBC宣讲会的时候，里面已经挤满了人。我站到了屋子后面。后面已经站了两排人。我身边紧挨着一个姑娘，一块浅蓝色的长布包住了她的脑袋和身子。"Do you want to take that seat?"她指了指前面角落里一个空着的座位。"I‘m fine."我看见她脸上飘过一丝厌恶的神情。我敏锐地察觉到如果她手里有炸弹肯定会二话不说让我从现场消失的。"Sorry, but do you feel uncomfortable if I'm standing here?"我问道。"I feel intimidated by you. I'd rather..." "OK,I'll take that seat."
那天走在皇后街上，远处传来了歌唱声和鼓叉声。一个大个子男人在大街中央一边唱歌一边跳舞，在他身后，一个男人敲着鼓叉，另一个男人吹着喇叭。他们装束简单，脑袋上打着发髻，发髻中心垂下来的小辫随着他们扭动的身体飘荡。他们用一门我听不懂的语言吟唱着一支悠扬的歌曲。大个子身上的小马褂随风飘摆，他陶醉地晃着身子，旁若无人。这条街成了他们通往远方的舞台。我不知道他们是谁，从哪里来，到哪儿去。海鸥从他们头顶掠过。他们是如此的自由自在。
我在菜市场的入口看到一个中年人坐在铁栅栏前的石板上弹着吉他，唱着歌，身前的琴箱里躺着零星的几枚硬币。从菜市场出来时，看到一个小年轻站在那个中年人面前，拍着手，蹬着脚，大声地唱着另一个调子的歌。中年人继续拨着吉他，他的歌声被小年轻生生地摁了下去。“I'm singing right.”中年人抗议道。"You're singing fucking right NOT."小年轻大声叫道，"you should sing like this, deng-da-deng-da-da." 中年人停下手中的吉他："i'm not your fucking jukebox." 等我渐渐远离他们的时候，我回头从转角的栅栏缝里看见小年轻和中年人在握手。
每当走进超市，看到60p一个青椒，50p一个蒜头，1镑一个番茄，心里那个法可，那个谢特。
我已经连续吃了一个月的面包了，我的大便出奇的好。
Robert Kenner和他的纪录片Food Inc
在2009.07.02这一期的“每日秀”（The Daily Show）中，主持人Jon Stewart邀请来了Robert Kenner做客他后一半节目的谈话，内容便是Robert Kenner新近拍摄的纪录片Food Inc. 两人就影片所反映的食品工业存（当然主要是美国的食品工业）在的问题进行了探讨。Robert Kenner认为美国目前工业化的食品生产（如牛奶的大规模集体饲养）虽然使食物便宜了，但却增加了食品的卡路里含量、降低了食品内在的营养，并增加了糖尿病、肥胖症的发病率。同时由于美国的食品产业是倚重石化工业，并以污染土壤为代价的，Robert Kenner指出这样的食品工业是难以为继的。当然主持人Jon Stewart也没放过机会揶揄美国人民一把，他在谈话途中从桌子底下掏出一盒"棒棒串蛋糕腊肠"叫道，这才是解决食品问题的良方啊。
我想起了早些一期的“每日秀”中（翻了翻电脑，发现是2月25号的），Jon Stewart拿新当选的奥巴马开了涮。奥巴马在对国会的致辞中说到“This is America. We don't do what's easy. We do what's necessary.” Jon Stewart戏谑道：“Have you met America? Have you been to America? Do you know what 'e pluribus unum' means? Easy& Uncessary!”接着Stewart说，伟大的美国人民创造了Roomba清扫机器人，因为普通的吸尘器需要手动，太费力气了；伟大的美国人民还发明了sport-elect减肥瘦腰带，风靡全国；最后Stewart从桌子底下掏出一罐baconnaise（熏肉(bacon)和蛋黄酱 (mayonnaise)的混合物，想想就够恶心的啊），道：it's for people who want heart disease but too lazy to actually make the bacon.
勤劳富裕的美国人民真是能败坏食品啊。
(e pluribus unum是美国政府徽印正面的拉丁语标语，意为“合众为一”。)
-----以下是Robert Kenner与Jon Stewart的谈话文本-----
J: What is the core of the issue that you're having right now with our food production?
R: Our food has fundamentally been transformed over the last 40 years. When you go through the super market, it doesn't look different, but the meat that we eat is not grown on the sort of wild open plane. These animals are stuffed into giant feed lots. Our tomatos are genetically modified. They look the same, but there's no nutritional value. There's no taste. And we've been transformed. We eat 2-3 calories more per day. We're overweight. We're obese, and 1/3 of all Americans, born after the year 2000, will have early-on set diabetes. And it's going to bankrupt us. This inexpensive food will bankrupt us.
J: So this is all because they're making the food cheaper, because the footage of the ways the cows are being rasied in chains, it's like in Ab Ghraib of animals. You know what I mean? They're literally stacked on top of each other, in the dark climbing around on their own (beep). It's crazy.
R: But it's not only the meat. I mean the fact is the whole thing has been transformed. We're subsidizing. Our tax dollars are going into the food that's making us sick.
J: Are you saying that the subsidy that we've placed in corn industry is the root of it?
R: Well, the corn and soy are basically 90% of the items in our super-market, and we're producing food that's basically carrying... basically they just provide us with salt, sugar and fat and...
J: Aren't those the 3 basic food groups?
(audience laughing)
R: Well, they become...
J: I haven't seen the pyramid for a while, but I'm pretty sure...
R: It's become 3 basic food groups.
J: But why is it that we're not then dying much earlier? The thing I can't figure out is don't we live longer than we did in the 60s, in the 50s and in the 40s when supposedly our food was healthier?
R: I think ultimately diabetes will change all that, and this is happening; it's come on. Ultimately, we're not going to be healthier. When I was kid, we spent something like 18% of our income on food. Today we spend about 9%.
J: So we've won!
R: That's great. I mean the fact is that we have really inexpensive food, which is great news. The problem is now, when I was a kid, our health care cost were about 5% of our paycheck. Today they're about 18%. So the fact is it's an aggregate. It's more expensive today. And we're not able to fix the health care sytem until we fix the food system.
J: But isn't it also though, it's the function of convenience and the amount of people, don't they have to mass-produce food at some level? There are 6 billion people in the world. And also... we're very busy.
(audience laughing)
R: It's true, and the food is very quick, it's very fast.
J: In the old days, yes, people grew food and they made salads, and talked to each other, but...(audience laughing) you know, I have things to watch on television.
R: Now it's true, but the fact is the system we have now is not sustainable. It's based on gasoline, and it's based on polluting the earth. Ultimately we're going to have to change for that reason alone. But the fact is 1 billion of our 6 billion are going to bed hungry right now. So it's not working. We call this the conventional food system.
J: So what would you do? What is the solution?
R: One of the things we explored in food Inc. was to say how can we feed people? how can we do it in a way that's healthy. Unfortunately, most of the industrial producers did not want to talk to us, and didn't want to answer to that arguement. One of the things is it would be nice to know what's in our food to be allowed to know that.
J: This is a pretty excellent point. If I may, this to me is one of the solutions (taking out a box of Pancakes& Sausages on a Stick from under the desk). We do a thing with a profiteer. They're "Pancakes& Sausages on a Stick". Now these things, I don't know if this is possiblly even the solution: what if everything we eat is on a stick, and that the stick is somewhat indistinguishable from whatever you're eating. Isn't this the future? In your mind, is this food, or is this food-like...
Robert Kenner on the Daily Show
R: substance.
J: Yeah. So why don't people speak out against it more?
R: Well, hopefully, I think things are changing. The fact is that we as consumers have more power than we think. Actually one of the scenes in the film is Walmart, who would have thought? They actually change, took RBST, which is a growth hormone for dairy cows. They took it out of the milk, because consumers said they didn't want it. So we have to learn that we have a lot more power. We vote 3 times a day.
我想起了早些一期的“每日秀”中（翻了翻电脑，发现是2月25号的），Jon Stewart拿新当选的奥巴马开了涮。奥巴马在对国会的致辞中说到“This is America. We don't do what's easy. We do what's necessary.” Jon Stewart戏谑道：“Have you met America? Have you been to America? Do you know what 'e pluribus unum' means? Easy& Uncessary!”接着Stewart说，伟大的美国人民创造了Roomba清扫机器人，因为普通的吸尘器需要手动，太费力气了；伟大的美国人民还发明了sport-elect减肥瘦腰带，风靡全国；最后Stewart从桌子底下掏出一罐baconnaise（熏肉(bacon)和蛋黄酱 (mayonnaise)的混合物，想想就够恶心的啊），道：it's for people who want heart disease but too lazy to actually make the bacon.
勤劳富裕的美国人民真是能败坏食品啊。
(e pluribus unum是美国政府徽印正面的拉丁语标语，意为“合众为一”。)
-----以下是Robert Kenner与Jon Stewart的谈话文本-----
J: What is the core of the issue that you're having right now with our food production?
R: Our food has fundamentally been transformed over the last 40 years. When you go through the super market, it doesn't look different, but the meat that we eat is not grown on the sort of wild open plane. These animals are stuffed into giant feed lots. Our tomatos are genetically modified. They look the same, but there's no nutritional value. There's no taste. And we've been transformed. We eat 2-3 calories more per day. We're overweight. We're obese, and 1/3 of all Americans, born after the year 2000, will have early-on set diabetes. And it's going to bankrupt us. This inexpensive food will bankrupt us.
J: So this is all because they're making the food cheaper, because the footage of the ways the cows are being rasied in chains, it's like in Ab Ghraib of animals. You know what I mean? They're literally stacked on top of each other, in the dark climbing around on their own (beep). It's crazy.
R: But it's not only the meat. I mean the fact is the whole thing has been transformed. We're subsidizing. Our tax dollars are going into the food that's making us sick.
J: Are you saying that the subsidy that we've placed in corn industry is the root of it?
R: Well, the corn and soy are basically 90% of the items in our super-market, and we're producing food that's basically carrying... basically they just provide us with salt, sugar and fat and...
J: Aren't those the 3 basic food groups?
(audience laughing)
R: Well, they become...
J: I haven't seen the pyramid for a while, but I'm pretty sure...
R: It's become 3 basic food groups.
J: But why is it that we're not then dying much earlier? The thing I can't figure out is don't we live longer than we did in the 60s, in the 50s and in the 40s when supposedly our food was healthier?
R: I think ultimately diabetes will change all that, and this is happening; it's come on. Ultimately, we're not going to be healthier. When I was kid, we spent something like 18% of our income on food. Today we spend about 9%.
J: So we've won!
R: That's great. I mean the fact is that we have really inexpensive food, which is great news. The problem is now, when I was a kid, our health care cost were about 5% of our paycheck. Today they're about 18%. So the fact is it's an aggregate. It's more expensive today. And we're not able to fix the health care sytem until we fix the food system.
J: But isn't it also though, it's the function of convenience and the amount of people, don't they have to mass-produce food at some level? There are 6 billion people in the world. And also... we're very busy.
(audience laughing)
R: It's true, and the food is very quick, it's very fast.
J: In the old days, yes, people grew food and they made salads, and talked to each other, but...(audience laughing) you know, I have things to watch on television.
R: Now it's true, but the fact is the system we have now is not sustainable. It's based on gasoline, and it's based on polluting the earth. Ultimately we're going to have to change for that reason alone. But the fact is 1 billion of our 6 billion are going to bed hungry right now. So it's not working. We call this the conventional food system.
J: So what would you do? What is the solution?
R: One of the things we explored in food Inc. was to say how can we feed people? how can we do it in a way that's healthy. Unfortunately, most of the industrial producers did not want to talk to us, and didn't want to answer to that arguement. One of the things is it would be nice to know what's in our food to be allowed to know that.
J: This is a pretty excellent point. If I may, this to me is one of the solutions (taking out a box of Pancakes& Sausages on a Stick from under the desk). We do a thing with a profiteer. They're "Pancakes& Sausages on a Stick". Now these things, I don't know if this is possiblly even the solution: what if everything we eat is on a stick, and that the stick is somewhat indistinguishable from whatever you're eating. Isn't this the future? In your mind, is this food, or is this food-like...
Robert Kenner on the Daily Show
R: substance.
J: Yeah. So why don't people speak out against it more?
R: Well, hopefully, I think things are changing. The fact is that we as consumers have more power than we think. Actually one of the scenes in the film is Walmart, who would have thought? They actually change, took RBST, which is a growth hormone for dairy cows. They took it out of the milk, because consumers said they didn't want it. So we have to learn that we have a lot more power. We vote 3 times a day.
2009年5月5日星期二
呃，呃，呃
我经过云山小学，学校对面有一间做酥饼的铺子。时间已过了中午，老板拿着火钳从炉子里往外夹着炭渣，女人在铺子里的案板上包着馅儿，小孩坐在外面的塑料凳子上趴在桌上涂涂画画。我向老板要了一袋10个酥饼。
隔壁不远就是兰溪的老街遗址，老街已被修葺过，两旁的商店里摆着兰溪特产，一条大黄狗安静地趴在地上享受着午后的太阳，一个老人在遮阳伞底下摆了摊，卖着布鞋、发夹、别针、苍蝇牌子，他坐在木凳上，听着收音机里传唱至今的戏剧。有谁会来买他摆的这些东西？
这里便是云山小区，古老的兰江镇，兰江边立着一座聚仁塔，塔望着江，江流过塔。那天骑三轮的车夫说，这座塔已经在江边立了500年。
我在小区里漫无目的地顺着高低回旋的石板路往前走。这里安静地只有鸟鸣声和附近传来的拍球声。眼前出现了一堵围墙，之前那个岔口选择的路终于走到了尽头。旁边是一幢居民楼，一棵老树安静地生长在小小的天井里。我重新回到了岔口，从另一条路走了下去。
聚仁塔下聚仁路，买衣服的、开减肥店的、修车补胎的、医院台球房都聚在这条路上，接着便是一个肥胖的姑娘、画着眼影的姑娘、穿着黑色网格衣服的姑娘，她朝我伸着手，呃、呃、呃地招呼着我。胖姑娘旁边坐着一个瘦姑娘、画着眼影的姑娘、穿着黑色网格衣服的姑娘，她也朝我伸着手，说，帅哥，进来爽爽嘛。
这段路朝北，午后的阳光照不到街角，阵阵清风里只有那个胖姑娘嘴里发出呃、呃、呃的声响。
我突然想起了《千与千寻》里那个蒙面人，他从兜里掏出食物、掏出金子，对着千寻呃、呃、呃地招呼。他什么也不说，只是会手捧掏不完的诱惑，呃、呃、呃。
我往旁边一闪身，从店门前让开。她太胖了啊，有谁会被她诱惑呢。我拎着一袋酥饼往前走，听见背后呃、呃、呃的声音还在执着地向我招手。
隔壁不远就是兰溪的老街遗址，老街已被修葺过，两旁的商店里摆着兰溪特产，一条大黄狗安静地趴在地上享受着午后的太阳，一个老人在遮阳伞底下摆了摊，卖着布鞋、发夹、别针、苍蝇牌子，他坐在木凳上，听着收音机里传唱至今的戏剧。有谁会来买他摆的这些东西？
这里便是云山小区，古老的兰江镇，兰江边立着一座聚仁塔，塔望着江，江流过塔。那天骑三轮的车夫说，这座塔已经在江边立了500年。
我在小区里漫无目的地顺着高低回旋的石板路往前走。这里安静地只有鸟鸣声和附近传来的拍球声。眼前出现了一堵围墙，之前那个岔口选择的路终于走到了尽头。旁边是一幢居民楼，一棵老树安静地生长在小小的天井里。我重新回到了岔口，从另一条路走了下去。
聚仁塔下聚仁路，买衣服的、开减肥店的、修车补胎的、医院台球房都聚在这条路上，接着便是一个肥胖的姑娘、画着眼影的姑娘、穿着黑色网格衣服的姑娘，她朝我伸着手，呃、呃、呃地招呼着我。胖姑娘旁边坐着一个瘦姑娘、画着眼影的姑娘、穿着黑色网格衣服的姑娘，她也朝我伸着手，说，帅哥，进来爽爽嘛。
这段路朝北，午后的阳光照不到街角，阵阵清风里只有那个胖姑娘嘴里发出呃、呃、呃的声响。
我突然想起了《千与千寻》里那个蒙面人，他从兜里掏出食物、掏出金子，对着千寻呃、呃、呃地招呼。他什么也不说，只是会手捧掏不完的诱惑，呃、呃、呃。
我往旁边一闪身，从店门前让开。她太胖了啊，有谁会被她诱惑呢。我拎着一袋酥饼往前走，听见背后呃、呃、呃的声音还在执着地向我招手。
2009年5月4日星期一
难忍！难忍！
2009年5月2日晚6：55，金华数字影城，《南京！南京！》
隔着我一排的前面坐着一个光头胖子。他捧着一桶爆米花，他一抓一把，一塞一嘴，“咔哧咔哧”，南京！南京！
终于他的手机如期响了。
“喂，我在看电影啊！电影院看电影！南京，南京。好好，我马上就过来了。看完我就过来了。”电影里的人声之外，突然蹿入了一个堆满了油脂的声音，这个巨大的声音像只肥厚的爬虫扑腾着翅膀，飞到银幕上，赤裸裸地趴在了画面上。
你妈逼早就可以过去了！我用力转着手里的矿泉水瓶，内心由“国民劣根性”、“中国人素质”、“公共意识”这些词所累积起来的历史愤懑和电影内容所诱发的憋屈，在那个时候啃啮着我的心，里面翻腾着的脏话几欲出口。瓶子被捏得嘎啦作响，还是没有飞出去。
然后手机响了第二次，第三次。每一次他那油腻无比的声音都把电影的音响赶到角落，只剩下它在影院上空回转盘旋。
电影里的日本慰安妇问角川：“你结束了吗？”
“哈哈，结束了吗？”他大笑起来，接着朝嘴里扔了两口爆米花，咔哧咔哧嘟囔着咀嚼的嘴重复道，“结束了吗。”
电影里日本兵指着床上的小江问角川：“你结束了吗？”
“哈哈，结束了吗？”他又由衷地笑起来，然后抓起一把爆米花塞到嘴里，咔哧咔哧，回味无穷。
日军把范伟饰演的唐先生绑在木桩上。几声枪响，绳子几处崩断，沉重的尸体像一捆麻袋从木桩上挂下来，半悬在空中。
“哈哈。”他的笑声就像是那几记枪声的帮凶，跳进电影里合伙将唐先生耷拉着的尸体从木桩上撕扯下来。他手中安静了半天的爆米花又在他嘴里发出清脆的响声。
电影结束，他和身旁一个女的一同站了起来，他那油锃发亮的脑袋来回晃动，脖子上粗大的项链在灯光下炫耀着自己的金色。他一手搂着女人的腰，一手举起纸桶，往嘴里倒入没能在电影里吃掉的爆米花。
隔着我一排的前面坐着一个光头胖子。他捧着一桶爆米花，他一抓一把，一塞一嘴，“咔哧咔哧”，南京！南京！
终于他的手机如期响了。
“喂，我在看电影啊！电影院看电影！南京，南京。好好，我马上就过来了。看完我就过来了。”电影里的人声之外，突然蹿入了一个堆满了油脂的声音，这个巨大的声音像只肥厚的爬虫扑腾着翅膀，飞到银幕上，赤裸裸地趴在了画面上。
你妈逼早就可以过去了！我用力转着手里的矿泉水瓶，内心由“国民劣根性”、“中国人素质”、“公共意识”这些词所累积起来的历史愤懑和电影内容所诱发的憋屈，在那个时候啃啮着我的心，里面翻腾着的脏话几欲出口。瓶子被捏得嘎啦作响，还是没有飞出去。
然后手机响了第二次，第三次。每一次他那油腻无比的声音都把电影的音响赶到角落，只剩下它在影院上空回转盘旋。
电影里的日本慰安妇问角川：“你结束了吗？”
“哈哈，结束了吗？”他大笑起来，接着朝嘴里扔了两口爆米花，咔哧咔哧嘟囔着咀嚼的嘴重复道，“结束了吗。”
电影里日本兵指着床上的小江问角川：“你结束了吗？”
“哈哈，结束了吗？”他又由衷地笑起来，然后抓起一把爆米花塞到嘴里，咔哧咔哧，回味无穷。
日军把范伟饰演的唐先生绑在木桩上。几声枪响，绳子几处崩断，沉重的尸体像一捆麻袋从木桩上挂下来，半悬在空中。
“哈哈。”他的笑声就像是那几记枪声的帮凶，跳进电影里合伙将唐先生耷拉着的尸体从木桩上撕扯下来。他手中安静了半天的爆米花又在他嘴里发出清脆的响声。
电影结束，他和身旁一个女的一同站了起来，他那油锃发亮的脑袋来回晃动，脖子上粗大的项链在灯光下炫耀着自己的金色。他一手搂着女人的腰，一手举起纸桶，往嘴里倒入没能在电影里吃掉的爆米花。
I met her
I met a business man who traded everything for money
I met a woman who squatted on the ground looking for precious in the garbage
I met an old man who sweeped bits and pieces together and stood in the sun for the rest of the day
I met a young man who was being a clerk in the day and held his childhood dream of being a barber in the night
I met a worker who lived by the furnace, breathed the dust and took a cigarette when he got peace with the machines
I met a wife who consoled another wife who was tortured between two men
I met a salesman who had many wives on the other end of the phone-line
I met a truck driver who drove 1,500 kilometers with a cargo of 40 ton and a tired wife sitting by his side
I met a young man with a crippled hand who complained about nothing and worked for none
I met a young woman with a lame leg who worked only in the night and was happy with life
and there I met her
she smiled
one of her teeth was growing inwardly
but I think it is sweet
she touched me
but time is up
I met a woman who squatted on the ground looking for precious in the garbage
I met an old man who sweeped bits and pieces together and stood in the sun for the rest of the day
I met a young man who was being a clerk in the day and held his childhood dream of being a barber in the night
I met a worker who lived by the furnace, breathed the dust and took a cigarette when he got peace with the machines
I met a wife who consoled another wife who was tortured between two men
I met a salesman who had many wives on the other end of the phone-line
I met a truck driver who drove 1,500 kilometers with a cargo of 40 ton and a tired wife sitting by his side
I met a young man with a crippled hand who complained about nothing and worked for none
I met a young woman with a lame leg who worked only in the night and was happy with life
and there I met her
she smiled
one of her teeth was growing inwardly
but I think it is sweet
she touched me
but time is up
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